A leafless tree
Writes a black branched script
Against a winter sky.
Then a crow flies in
Perches on the tree
And changes the whole story.
A noticeboard for 4 workers at Eatlatinandie Publishers. Eatlatinandie are the publishers of Liz Bentley, Zolan Quobble and soon Pete Murry
A leafless tree
Writes a black branched script
Against a winter sky.
Then a crow flies in
Perches on the tree
And changes the whole story.
Why is that grey pigeon
Sprinting through greyer and greyer sky,
On a dying midwinter day?
As I see it dive between the two houses
Opposite me,
It looks desperate,
It looks like it’s making an escape.
Yet this is not the weather
For hawks to hunt.
It’s a time to run home,
It’s a time to feel
Fear and despair
If you’re alone.
So, fly home to some sort of safety.
To a place where you can
Huddle down
And wrap your feathers around you
To keep warm
Hide from harm and wait,
Now it’s getting late
But soon the days will become
Longer and lighter again.
It’s time to
go down the plughole,
Where the
whirly waters whirl,
And vault
into the vortex,
Where currents
continually curl.
It’s time to
alter your orbit
Like a star
approaching its end,
Or a hair floating
in a bathroom sink,
So you’ll
get pulled down the black hole,
Where both
time and light will bend,
Then travel
by drainpipe and sewer
Be riverbourne
into the ocean,
Evaporate and
fall again as rain,
Back to
earth, where more plugholes await.
I begin a seventh decade
With a will willed
And many plans made.
On a planet where many never get so far
I’ve never owned a TV or a car,
But I’ve still consumed a glutton’s share
And most of the time
Just sat on chairs.
So I leave to science one fat cadaver
With its arthritic joints
And clogged up veins
Let my body be a lesson
To those who’ve outlasted
As they cut the guts
Out of this fat bastard
But there’s a spirit
Buried somewhere in the adipose tissue
That might roll on the wheel again
So let a red kite snatch
One small scrap of me in its claws
And carry it up
Towards the sun.
Since my planet is burning,
I decide that I need to attract
Greater Spotted Woodpeckers
To my suburban garden.
I open a box of suet balls,
And it’s as if every suet ball stares up at me,
From many approximately circular fat white bodies.
Black seeds embedded in the suet
Appear to be eyes.
The suet balls look up and say nothing.
They have all embodied
An idea, that I, and thousands of others,
Have used to categorise other people.
The suet balls gaze up and I see that
They are the proletariat, the infidels
Or middle England, or the saved.
An undifferentiated mass
They are not individuals
But an agglomeration,a collective or a class
An idea in any theoretician’s mind.
They could be conscious,
But I’m not sure
And unless some magic Marxist spark ignites them
They will remain suet balls in themselves
Not suet balls for themselves
And hang together in wire cages
To be pecked to pieces by
Greater Spotted Woodpeckers.
I carefully carry them down the stairs,
The containers that contain the empty containers;
That might still hold some residue or DNA
Or be marked by smudged handprints.
I open the front door
Walk out to the bins
And put the containers inside.
I am as careful as a prince’s butler,
Or as his majesty’s personal protection officer
To ensure that no fragment slips out.
I wish to maintain the proprieties of this suburban street.
Also, I oppose climate change
And know that landfill can be dug up again
But once something is made into something else
There’s no going back.
Any evidence of any alleged wrongdoing, which never took
place,
Is now a traffic cone.
THE GREEN ROOM
(for Noel Lynch)
This shop is so full of miscellaneous things,
Unassorted and assorted, that,
Its customers can barely enter,
And they must shuffle along,
Its narrow corridors sideways,
Canyoned in by incredible merchandise
Hung from all available walls,
And stacked ceiling-high.
An inventory of its stock would be
An epic in itself, including:
Desiccated dinosaur turds,
And Rubber hot water bottles,
Fashioned to resemble infamous politicians,
Giant butterflies in varnished collectors’ cases
Piles of football programmes,
Unique coins, and fossilised fish.
Texts in every language known on this planet,
Portraits of Macedonian aristocrats,
Necklaces fashioned from polished bones,
Texts in languages not known on this planet,
And several pairs of boots…,
And in one corner,
The shop’s owner presides,
Like a benign dragon in a second-hand suit.
A druid of the discarded,
A trading spider spinning a web of contacts,
Linking, deals, politics, culture and commerce
With invisible threads
Cemented by endless anecdotes,
Joining everyone together with shared humanity
Working to make all our worlds better.
The blades of the Podiatrist’s
Toenail
clippers close,
Detaching a
chunk of yellow keratin
From the
extremity of the body
On which it
growed.
The surface
of the Podiatrist’s
Toenail file
rasps,
Removing little
bits of dryskin
And more
particles of keratin.
The edge of
the Podiatrist’s
Sharp
scalpel slices slivers
Of dead
calloused toeskin.
And all this
detritus,
The yellow
keratin chunks,
The bits of
dryskin,
And the calloused
toeskin
Will be
incinerated.
As will the
body which generated it.
Atoms from
the incinerations will
Float and
merge universally
With water,
with gases, with air,
With plants
and fungus,
With birds and
beasts
With rivers
and seas.
And one day
On some planet
somewhere
It will
again grow
A toenail.
It is not an
admission that,
I would ever
have knowingly made,
Unless the
information could be used,
As part of a
trade.
I never give
away any part of myself,
To anyone
else,
Without some
sort of return,
Immediate or,
long-term,
Because I am
An economic
man
Every single
situation involves.
Expenditure and
exchange.
We don’t
always know it.
But we are
always constrained.
Yet I never stop
seeking the loophole,
Looking for the
edge
Which will
give me my
Pie in the
sky
So, one day
at last
I can sit on
a cloud and munch,
That
heavenly thing,
A truely free
lunch.
I can only
dream within
The walls of
institutions
And these
are not always
Walls of concrete,
brick or steel,
But they
have become
So built
into me,
That they
contain
Whatever I
think and feel.
I always dream
Of fearing that
I might
Break a rule
Or fail to
carry out
An assigned
task
And I always break and fail,
Until I wake
Then remember
what it is
What I really
have to fail to do
I love
pouring olive oil
In and out
of bottles,
Because it
is liquid sunlight,
I love
drinking red wine,
Because it
is the blood of Christ,
I love
eating black pudding,
Because it
is the blood of the Pig.
I love eating
the liver of the lamb that died for me,
Because it
is bloody.
Life eats
life, and that is the law
I eat cheese
that is alive,
I drink beer
that is alive,
And death
will eat me,
Render me down
And feed me
back to more life
My toothpaste comes from
Romania,
My bed comes from Vietnam,
My coffee was packed in Spain,
My hand sanitizer originates from Utrecht,
But my headache pills are British,
Handpicked by loyal yokels,
In the paracetamol orchards of Devon.
I am about to eat some Polish garlic sausage,
I have just eaten some French jam,
And sadly,my international consumption
Could be threatened by a container ship,
Which is as long as my street,
Loaded with containers.
That are full of containers.
And is jammed in the Suez Canal.
I need more vaccine from Belgium,
To ward off infection by a virus,
Allegedly originating in Chinese bats.
In fact, I am so globalised that,
I am becoming spherical in shape.
Nonetheless I remain.
Stubbornly almost monolingual
And forced to inhabit
A xenophobic island.
A SADISTIC SALAD RECIPE
I love torturing vegetables
I treat them worse than the KGB, the Gestapo,
Special Branch or the CIA.
I imprison them in a dark cold fridge,
Then I roust them out brutally,
Screaming things like
“Where are you?
You can’t hide at the back of the shelf,
Come out, you mangey tout!”
Some I seize, and throw immediately,
Into boiling water whole.
Some I slice with sharp blades,
Then hurl them into an oily bowl.
Some I skin, and some I scrape,
Some I even eat raw,
But none escape my greedy teeth
And my ever-chomping maw
The garden plum tree
Is provocatively
starting to dress
Its long slim
smooth erotic limbs
With white blossoms.
So, soon it
will all kick off again,
Hormones, pheromones,
bird song,
Lots of colourful
visual, oral and olfactory action ‘
Frogspawn, nectar,
courting displays.
plenty of thrusting, budding and flowering.
I'll peer out
of my kitchen window,
Like a pervert,
Using my
binoculars
To zoom in
on the best bits;
But sooner
or later I’ll have to go out,
With secateurs
and shears and a rake,
To tidy it
all up,
Because we
can't have
This kind of
thing going on,
Unregulated
and unrestrained.
After all this
is suburbia.
Waiting for my vaccine,
Waiting for a
jab,
Scuttling around
my lonely flat
Like a homeless
hermit crab
Watching bollocks
on the box
About unshaven
actors
Fighting inner
demons.
It's all a load
of cobblers
Pissed up, pissed
off,
Locked down
and burned out,.
Gazing through
the window
At the birds down there
Feeding on the
feeder
at least They can fly away.
Lucky little
bleeders
I have another
drink and.
Wonder what
I see?
A spirrel or
a quarrakeat?
In the garden
tree
do I see a sedge
harrow?
A coldwinch,
a pood region
Or a
fartling?
I don't know.
I don't care.
I wander round.
From room to
room
Not going anywhere
Waiting for
my vaccine,
Waiting for a jab,
Rattling
around my lonely flat,
Like a homeless hermit crab
Once presents and parcels
were special things
Only arriving on certain
occasions
Carefully wrapped in layers
of paper
Secured with sticky
tape and string
By your friends and your
relations,
Then opened to reveal
objects of delight,
On days of
celebration.
This is how It was
long ago
Now in middle class utopia
Traffic jams of
delivery vans
Clog the crescents
and groves of suburbia
Each vehicle driven
By a most miserable
man
Overworked and
underpaid
By the number of
drops he does
A pittance for each
delivery he has made
Meanwhile nearby the High
Streets die
Shops coffined up by
shutters,
Their doorways once
carefully swept,
Are now niches where
are rubbish collects:
And in Bleak Fields
Where motorways
intersect
Large sheds have been
erected
Computer governed
inside
And roboticized
Here goods are packed
and selected
With lorries
streaming in
And the vans streaming
out
Tons and tons and tons
Of stuff is moved
about
And delivered to
destinations
Where packaging is
ripped off
And thrown away
As we build an all-consuming
future
Living on top of garbage
hills
Unpacking endless artefacts
Of course, this can last
forever
Surely our planet cannot be finite,
If our demands are exponential